Illustrated Journals
Sally-Jo Keala-o-Ānuenue Bowman
Keeping an ongoing diary has never made sense to me because you can’t access a past entry unless you remember when you made it. Instead, for decades I have made “journal entries” on scraps of paper – yes, even restaurant napkins and the backs of envelopes – and filed them in a series of folders marked with titles such as Journal of Dreams, Journal of The Heart, Journal of Family. In the folders I collect words and ideas I want to remember, from clever phrases I overhear in public to words of wisdom from my elders. One scrap recalls my ancestor grandmothers telling me in a dream, “We like to write. We just need you to hold the pen.” Who am I not to obey?
At this point I have sixteen filing categories. Some of the folders are so fat I should subdivide them. And yes, I do access these from time to time, quickly finding what I seek by category, not date.
Shortly before the turn of our present 21st century I started keeping an illustrated travel journal in small-format watercolor notebooks. These are by date, but are very sporadic. On a trip, I often paint or draw while my husband goes for a hike too hefty for me. Or I sketch while waiting in an airport or a concert hall. The ideal situation is to travel with my artist daughter, Tamara, who does this too on a much bigger scale.
My format is so small – usually paper about six inches square, occasionally twice as wide – that it accommodates only spare text. The gift of that space restriction is that I must crystallize my thoughts about a scene into just a sentence or two.
The act of drawing or painting in this format requires me be quiet, calm and attentive in a way that is good for the soul. Brushing color on paper puts me in a mental position to extend the experience with a few careful words.
I return to these illustrated journals quite often, and when I do the art and writing together rekindle the original experience in a deep and sensory way that eludes either art or words alone.
The illustrated journals depict places from New Zealand to Scotland, California to Maine. And they are heavy on my beloved homeland, Hawai’i.
This page includes selections from various journals. Click on any thumbnail version to see the painting in its full dimension.
St. Augustine’s Episcopal Church, Hawī, Hawai‘I Island, 2000, 5x5 watercolor
Ship Island Camp, Middle Fork, Salmon River, Idaho, 2000, 5x5 watercolor
Borthwick Castle Gatehouse, Edinburgh, Scotland, 2000 , 5x5 watercolor
View from Castlekirk B&B, Lochranza, Arran Island, Scotland, 2000,10x5 watercolor
Fish Market Butcher, Venice, Italy, 2000, 5x5 watercolor
Fruit Peddler, Venice, Italy, 2000, 5x5 watercolor
Kanapou Bay, Waimanalo, O‘ahu, Hawaii, 2003, 9x6 watercolor
Wild Orchid Bouquet, Volcano, Hawai‘i Island, 2003, 6x9 watercolor
Shave Ice Truck, Hilo, Hawai‘i Island, 2003, 6x 4.5 watercolor
Lindskog’s House, 1426 Third Avenue North, Fargo, North Dakota, 2004, 5x5 watercolor
Ko‘olaupoko from Honolulu Airport, 2003, 5x5 watercolor
Kalaupapa Valleys, Hawaii, 2003, 10x5 watercolor
Spider Lilies, Kailua, O‘ahu, Hawaii, 2003, 10x5 watercolor
Kailua Beach, O‘ahu, Hawaii, 2010, 9.5x6 watercolor
Resurrection Bay, Seward, Alaska, 2010, 19x6 watercolor
Sea Breeze B&B breakfast porch, Napier, New Zealand, 2011, 6 x 9.5 watercolor
Zion National Park, Utah, 2007, 5x10 watercolor
Silver City, Idaho, 2009, 5x5 watercolor
Bowman Neighbors’ House, Mānoa, Honolulu, Hawaii, 2016, 9x4.5 watercolor
Ali‘iolani Hale, Honolulu, Hawaii, 2016, 9x4.5 watercolor
Bodie, California, ghost town, 2016, watercolor
Bourn Cottage, Empire Mine State Park, California, 2016, 9x4.5 watercolor
The Three Sisters (Faith, Hope, Charity), Oregon Cascade Mountains, 2018, 9x4.5 watercolor
Fall in the Grand Teton Mountains, Wyoming, 2013, 9x7 watercolor
Blooming Bitterroot, Diamond Craters, Oregon, 2003, 5x5 watercolor
Aging cottonwood tree, Frenchglen Hotel, Oregon, 2014, 7x9 watercolor
Lane’s Island, Vinalhaven, Maine, 2023, 18x7 watercolor
Middle & North Sister, Central Oregon Cascade Mountains, 2004, 9x6 watercolor
Broken Top and South Sister, Central Oregon Cascade Mountains, 2004, 18x6 pencil wash